10 Party Songs We Never Ever Want to Hear Again
ten Songs I Never Desire to Hear Again
This is a listing of songs that are the antonym of timeless classics.
Start, allow me to preface the following listing by stating I don't intentionally mean to disparage whatsoever of these artists or their piece of work. These are just my honest knee-wiggle reactions triggered whenever I hear these songs. I've compiled this list primarily for my ain entertainment every bit well as other music aficionados. Music is very subjective, therefore; I realize these are only my opinions, which should be taken with a grain of common salt and are not whatsoever more or less valid than anyone else's. Later all, I'k sure a lot of people similar feelings about many of my favorite songs and/or artists. With that said, please continue at your ain risk.
10) Peter Cetera: "Glory of Dear"
Every bit if his distinctively exasperating voice wasn't already detrimental enough during his tenure with Chicago, Cetera continued torturing listeners with his detestable solo work. How this subpar piece of schlock ever came to be in radio rotation is beyond my comprehension. As if that wasn't bad enough, information technology still presently manages to linger on piece of cake listening playlists.
9) All-4-One: "I Swear"
This pop version of John Michael Montgomery's country hit was not only redundant, but also inferior. This pinnacle of success for R&B vocal grouping All-iv-One sounds overwrought with emotion, as the lead singer sounds as if his life depends upon over singing every syllable of each note. This is a complete and utter melismatic nightmare. If I were to ever listen to this song once again (highly hundred-to-one), I'd stick with JMM'south original. Thanks, All-4-One, but no thanks.
8) Toni Braxton: "United nations-break My Heart"
Dorsum when I originally heard this song, I immediately began trying to deduce if this was performed by a man or a woman. Even after becoming acquainted with Toni Braxton's masculine song stylings, I couldn't help wondering what the producer and recording engineer were thinking during this recording session. This sounds like they weren't initially sure if they were going to keep Braxton's vocals on the master and allowable her to concomitantly sound like a male and a female person, but in case they needed to store the demo to alternating artists. This Diane Warren and David Foster limerick certainly wasn't enhanced by Braxton's dreary performance. Please, unbreak my ears!
7) Anita Baker: "Sweet Love"
First of all, allow me start by albeit I am non, nor accept I ever been an Anita Bakery fan. I don't similar her phrasing, her timbre, or her songwriting. In fact, I'd liken her performance on this song to hearing a cat being strangled. Nothing against her, she's merely non my cup of tea. With that said, this track has to be the most offensive of all of her overrated and over played radio hits. I endured her popularity in the 1980s, simply all too often, I'm still periodically reminded how much I detest this song. Information technology essentially sickens me to my very core.
half-dozen) Madonna: "Material Girl"
I loved this vocal equally an album opener when it was new, and even initially enjoyed it when Madonna performed information technology live on her offset few tours, simply over the years, this cutesy ditty became overexposed across the point of exasperation. I feel the same mode about "Like a Virgin" besides, but at least I can still tolerate that song occasionally in its extended remix version. "Material Daughter" is non a bad song, it's just played out to the betoken of being unlistenable.
five) Lee Greenwood: "God Anoint the USA"
Now I'm not unpatriotic mind you lot, but this less than stellar canticle has become ingrained into every Fourth of July celebration for longer than I care to remember. This is a prime number example of repetitious song abuse. Nice sentiment, but it has become tedious and monotonous.
4) Whitney Houston: "The Greatest Love of All"
A dandy vocal performance from Whitney, but the song itself is too sappy and syrupy. Plus, this has been massacred far too many times in beauty pageants and televised singing competitions. By the way, exactly which generation of children hold the fate of our futures in their hands? I surely hope it'due south not the Millennials.
3) Bob Carlisle: "Butterfly Kisses"
Talk about sappy and syrupy, this song literally makes me throw up in my mouth whenever I'm forced to listen to information technology against my will. This tune non merely gives contemporary Christian music a bad reputation, but also places a black marking upon the entire genre of pop music.
2) Taylor Swift: "We Are Never Ever Getting Back Together"
As if the title lonely wasn't alarm enough, this insipid schoolgirl diary entry is beyond rancid. Its deadly combination of a bad melody coupled with trite lyrics seems to follow me into every restaurant, department and grocery store I enter, ad nauseam. Please God, brand it stop!
1) Matthew Wilder: "Suspension My Stride"
This horrendous excuse for a pop song was performed by one hit wonder Matthew Wilder, who surprisingly went on to produce No Doubt's diamond-certified nail anthology, Tragic Kingdom. However, you'd never have gleamed that from his one bona fide, only nauseatingly horrendous hit. Wilder also connected his music career by writing and producing songs for Kelly Clarkson, Christina Aguilera, as well as Miley Cyrus' notorious Hannah Montana ditty "Thousand.N.O. (Girls Dark Out)," which now kind of makes much more than sense in hindsight.
Source: https://vocal.media/beat/10-songs-i-never-want-to-hear-again
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